Who Owns the Success
Two Korean negotiations with Netflix, a few years apart, with opposite outcomes — and what European producers can learn from them.
Read moreTwo Korean negotiations with Netflix, a few years apart, with opposite outcomes — and what European producers can learn from them.
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Why Korean series run to sixteen episodes, why that is not a philosophy of storytelling, and what it means for a co-production.
What CJ turns over in food is two hundred times Austrian film funding. And both systems measure success differently.
How a sugar refinery became a film conglomerate — and what part the Korean state plays.